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Performing Wiki-Piano.NET

Strategies for Realizing Alexander Schubert's Ever-Changing Internet-Composed Piano Work

Bibliographic Data

ID10265178
AuthorsZubin Kanga (0000-0002-0725-2820, Royal Holloway, University of London, Music Department, Royal Holloway, Egham Hill, Egham TW20 0EX, U.K. Email: [email protected]. Web: www.zubinkanga.com., corresponding author)
Year2021
Volume54
Issue2
Pages234-241
Publication date2021-04-15
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueLeonardo (JOURNAL)
Journal identifiersISSN: 0024-094X • E-ISSN: 1530-9282
PublisherMIT Press (PUBLISHER • US)
DOI10.1162/leon_a_01962
OpenAlexW3083050262
LanguageEN
Citations received3
References cited7

This article explores strategies for interpreting Alexander Schubert's WIKI-PIANO.NET, a composition commissioned and performed by the author in an international tour in 2018 and 2020. Schubert's score is a website, all sections of which can be edited by the public, similar to a Wikipedia page. The author's strategies for interpreting the huge range of content added to the website-score draw upon Schubert's suggestions, the interdisciplinary rigor advocated by Jennifer Walshe, Henri Bergson's theories of comedy and the author's own experience as a composer-performer. These strategies are devised so that, despite the hundreds of compositional contributors, in performance, the final piece is perceived as an “Alexander Schubert work.”

Art · Art history · Comedy · Composition (language) · Literature · Performing arts · Piano · Range (aeronautics) · Sociology · The Internet · Visual arts · Work (physics) · World Wide Web · Computer Science · Diverse Musicological Studies · Engineering · Music Technology and Sound Studies · Musicology and Musical Analysis

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Unique citing works3
Citations per year0,75
Citation span2022 - 2024 (3)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 3

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