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Portrait of Isabel Goldsmith

Bibliographic Data

ID10267480
AuthorsSteve Miller (0000-0002-9188-3392, corresponding author)
Year1996
Volume29
Issue1
Pages73
Publication date1996-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueLeonardo (JOURNAL)
Journal identifiersISSN: 0024-094X • E-ISSN: 1530-9282
PublisherJSTOR (PUBLISHER)
DOI10.2307/1576284
OpenAlexW2326941561
LanguageEN

liberated from the polarized, dualistic conception of nature/technology. It is precisely this double bind, this persistent ambiguity emerging from our response to advanced imagery, that reinstates the urgency of developing a new kind of responsibility. Because of the various techniques and media used to produce them, the installation's components can trigger, at times, opposing responses to the same image, leading us to reflect on the myth of Perseus, with its multiple readings, as an Archimedean point for rethinking vision: The (Medusa's) cybernetic gaze appears at one and the same time as both a germinating point and an ebbing point from which we define experience

Ambiguity · Art · Art history · Computer vision · Cybernetics · Gaze · Literature · Mythology · Point (geometry) · Portrait · Artificial Intelligence · Computer Science · Cultural and Mythological Studies · Mathematics

Citation velocityhistorical
Highly citedNo

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