Portrait of Isabel Goldsmith
Bibliographic Data
| ID | 10267480 |
|---|---|
| Authors | Steve Miller (0000-0002-9188-3392, corresponding author) |
| Year | 1996 |
| Volume | 29 |
| Issue | 1 |
| Pages | 73 |
| Publication date | 1996-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo (JOURNAL) |
| Journal identifiers | ISSN: 0024-094X • E-ISSN: 1530-9282 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/1576284 |
| OpenAlex | W2326941561 |
| Language | EN |
liberated from the polarized, dualistic conception of nature/technology. It is precisely this double bind, this persistent ambiguity emerging from our response to advanced imagery, that reinstates the urgency of developing a new kind of responsibility. Because of the various techniques and media used to produce them, the installation's components can trigger, at times, opposing responses to the same image, leading us to reflect on the myth of Perseus, with its multiple readings, as an Archimedean point for rethinking vision: The (Medusa's) cybernetic gaze appears at one and the same time as both a germinating point and an ebbing point from which we define experience
Ambiguity · Art · Art history · Computer vision · Cybernetics · Gaze · Literature · Mythology · Point (geometry) · Portrait · Artificial Intelligence · Computer Science · Cultural and Mythological Studies · Mathematics
| Citation velocity | historical |
|---|---|
| Highly cited | No |