Aesthetics of Turntable Art
Bibliographic Data
| ID | 10274843 |
|---|---|
| Authors | Jo Eadie (0000-0001-8251-4678, Jimmy Eadie, Department of Electronic and Electrical Engineering, Trinity College Dublin, Ireland. Email: [email protected]., corresponding author) |
| Year | 2022 |
| Volume | 55 |
| Issue | 1 |
| Pages | 72-76 |
| Publication date | 2022-02-23 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo (JOURNAL) |
| Journal identifiers | ISSN: 0024-094X • E-ISSN: 1530-9282 |
| Publisher | MIT Press (PUBLISHER • US) |
| DOI | 10.1162/leon_a_02055 |
| OpenAlex | W4200472317 |
| Language | EN |
| References cited | 7 |
This article explores the transitional and liminal nature of the author’s work and examines the diverse theoretical foundations that inform his creative practice. The particular work discussed here, Wow&Flutter, explores the intermedial relationships between “quotation,” “remediation” and “plunderphonics” within turntable art using acetate vinyl. This work was presented in the Irish Museum of Modern Art (IMMA) and the National Concert Hall, Ireland (NCH), between 2014 and 2018
Aesthetics · Art · Flutter · Irish · Liminality · Linguistics · Sociology · Visual arts · Work (physics) · Engineering · Mechanical Engineering · Musicology and Musical Analysis · Neuroscience and Music Perception · Philosophy · Sound Studies and Aurality
| Highly cited | No |
|---|