Composing and Performing Complex Systems
From the Quantum to the Cosmological
Bibliographic Data
| ID | 10278176 |
|---|---|
| Authors | Joann Kuchera-Morin (JoAnn Kuchera-Morin, University of California, Santa Barbara, Santa Barbara, CA, U.S.A. Email: [email protected]., corresponding author) |
| Year | 2022 |
| Volume | 55 |
| Issue | 1 |
| Pages | 30-33 |
| Publication date | 2022-02-23 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo (JOURNAL) |
| Journal identifiers | ISSN: 0024-094X • E-ISSN: 1530-9282 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/leon_a_02148 |
| OpenAlex | W3194673575 |
| Language | EN |
| References cited | 5 |
This paper discusses the creation and development of a large distributed immersive multimedia computation system and environment based on the discipline of orchestral music composition, concert hall design, and performance. Just as the orchestra evolved through mechanical engineering to become a large distributed multiuser instrument whose information can be transmitted by either a client-server model (i.e. orchestra-conductor) or a client-to-client model, as in an instrumental ensemble, large-scale distributed multimedia computational platforms can be modeled in the same way, facilitating the users as performers of the system. Multiple researchers can mine large, complex data sets to uncover relationships of interest in their spatiotemporal structures
Art · Complex system · Composition (language) · Computation · Conductor · Distributed computing · Geography · Human–computer interaction · Multimedia · Programming language · Scale (ratio) · Artificial Intelligence · Computer Science · Music and Audio Processing · Music Technology and Sound Studies · Neuroscience and Music Perception
| Highly cited | No |
|---|