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An Account of Recent Changes in Dance in the U.S.A

Bibliographic Data

ID10278330
AuthorsMaxine Sheets-Johnstone (0000-0003-1494-4806, corresponding author)
Year1978
Volume11
Issue3
Pages197
Publication date1978-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueLeonardo (JOURNAL)
Journal identifiersISSN: 0024-094X • E-ISSN: 1530-9282
PublisherJSTOR (PUBLISHER)
DOI10.2307/1574142
OpenAlexW2329146179
LanguageEN
Citations received4
References cited1

Drawing upon her experiences and upon primary literary sources (the latter including both critical writings and statements by dancer-choreographers), the author presents a descriptive account of the changes that occurred within modern dance over a period of about 20 years in the U.S.A. That the body is the ultimate locus for the change is made evident in the analysis: a shift in attitude toward the body and a new understanding of its status within the dance become apparent. In essence, what was once spiritual becomes fleshly and what was once a subservient instrument becomes a full-fledged reality in its own right. Some suggestions are made as to a possible relationship between the conceptual and the practical framework within which dancers changed dance and the phenomenological method

Art · Dance · Visual arts · Diversity and Impact of Dance · Musicology and Musical Analysis · Theater, Performance, and Music History

  • Annual International Bibliography of Dance History

    Open Access•Nancy Chalfa Ruyter•Dance Research Journal•1984

  • Annual International Bibliography of Dance History

    Open Access•Nancy Chalfa Ruyter•Dance Research Journal•1980

  • On the Question

    Open Access•Francis Sparshott•Dance Research Journal•1982

  • Dancing with Objects

    Manuel Boucher•Leonardo•2023

  • The phenomenology of aesthetic experience.

    Mikel Dufrenne•The phenomenology of aesthetic…•1973

Unique citing works4
Citations per year0,09
Citation span1980 - 2023 (44)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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