I am _your_Pyrate Dancer
Choreographic Computabilities Dancing inside the Interstices of a Visceral World
Bibliographic Data
| ID | 10282905 |
|---|---|
| Authors | Nancy Mauro-Flude (0000-0003-1340-8067, Nancy Mauro-Flude, RMIT University, School of Design, College of Design and Social Context, RMIT University, GPO Box 2476, Melbourne, VIC 3000, Australia. Email: [email protected]., corresponding author), Jo Pollitt (0000-0002-2821-7768, Jo Pollitt, Edith Cowan University, School of Education, 2 Bradford Street, Mount Lawley, WA 6050, Australia. Email: [email protected]., corresponding author) |
| Year | 2023 |
| Volume | 56 |
| Issue | 1 |
| Pages | 50-57 |
| Publication date | 2023-02-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo (JOURNAL) |
| Journal identifiers | ISSN: 0024-094X • E-ISSN: 1530-9282 |
| Publisher | MIT Press (PUBLISHER • US) |
| DOI | 10.1162/leon_a_02301 |
| OpenAlex | W4307040883 |
| Language | EN |
| References cited | 8 |
The article proposes that the interstitial as an analytical category advances transdisciplinary developments in contemporary choreographic practice. The techniques and conventions of passing, marking, and parsing are described as concomitant agencies that act as notational scores connected to the informatic procedure of writing as dancing. A case study is provided as an example of how gesture, executable code, computational poetics, script, and syntax can endure beyond the performance event as choreographic score and artifact. The novel application of plain text computing, with all its constraints, not ordinarily connected to terpsichorean practices, paradoxically exhibits a nascent realm in which dance-making futures may endure
Art · Artifact (error) · Choreography · Code (set theory) · Dance · Event (particle physics) · Explication · Futures contract · Gesture · Linguistics · Parsing · Programming language · Realm · Set (abstract data type) · Syntax · Visual arts · Artificial Intelligence · Computer Science · Diversity and Impact of Dance · History · Human Motion and Animation · Music Technology and Sound Studies · Philosophy
| Citation velocity | historical |
|---|---|
| Highly cited | No |