Complexity as Practice
A Reflection on the Creative Outcomes of a Sustained Engagement with Complexity
Bibliographic Data
| ID | 10285285 |
|---|---|
| Authors | Tom Davis (0009-0002-1867-1243, Tom Davis (artist, educator), Poole House, Talbot Campus, Bournemouth University, Bournemouth BH12 5BB, U.K., corresponding author) |
| Year | 2012 |
| Volume | 45 |
| Issue | 2 |
| Pages | 106-112 |
| Publication date | 2012-04-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo (JOURNAL) |
| Journal identifiers | ISSN: 0024-094X • E-ISSN: 1530-9282 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/leon_a_00275 |
| OpenAlex | W2111106054 |
| Language | EN |
| References cited | 5 |
This article presents a reflection on a body of creative work carried out during four years of Ph.D. research that explored the relationship between complexity theory and music. The article highlights conceptual problems that arose during the creation of the work, especially those associated with the exploration of scientific models for the creation of art. The author does not attempt to offer any final solutions but rather presents the journey undertaken through the combined artistic and research practice as a way of documenting the strategies he developed during this period of creative practice
Aesthetics · Art · Creative work · Epistemology · Period (music) · Reflection (computer programming) · Sociology · Visual arts · Work (physics) · Chaos, Complexity, and Education · Computer Science · Design Education and Practice · Engineering · Music Technology and Sound Studies · Philosophy
| Citation velocity | historical |
|---|---|
| Highly cited | No |