Video Art
The Brazilian Adventure
Bibliographic Data
| ID | 10285304 |
|---|---|
| Authors | Arlindo Machado (corresponding author) |
| Year | 1996 |
| Volume | 29 |
| Issue | 3 |
| Pages | 225 |
| Publication date | 1996-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo (JOURNAL) |
| Journal identifiers | ISSN: 0024-094X • E-ISSN: 1530-9282 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/1576251 |
| OpenAlex | W2313575102 |
| Language | EN |
Since the late 1960s, video has stood out as one of Brazil’s most important and lasting cultural phenomena. Three schematic phases are distinguishable in the short history of Brazilian video. In the 1970s it was explored exclusively by artists in search of new means and foundations for their creative ideas. In the 1980s independent video appeared, enlarging the range of creative video and bringing it to a wider public. In the 1990s a new wave of videomakers pursues more mature and individual work, while at the same time seeking to fortify previous achievements
Adventure · Art · Art history · Computer graphics (images) · Visual arts · Brazilian cultural history and politics · Cinema and Media Studies · Computer Science · Cultural, Media, and Literary Studies
| Citation velocity | historical |
|---|---|
| Highly cited | No |