Narcissus and Echo

Reflections on an Art-Science Collaboration

Bibliographic Data

ID10286070
AuthorsDolores A Steinman (0000-0002-8684-7020, Dolores A. Steinman, Biomedical Simulation Laboratory, Department of Mechanical & Industrial Engineering, University of Toronto, 5 King's College Road, Toronto, ON, Canada M5S 3G8. Email: [email protected]., corresponding author), Peter Coppin (0000-0002-2550-6847, Peter W. Coppin, Perceptual Artifacts Laboratory, Faculty of Design, OCAD University, 205 Richmond Street West, Toronto, ON, Canada M5V 1V6. Email: [email protected]., corresponding author), David A Steinman (0000-0002-7963-1168, David A. Steinman, Biomedical Simulation Laboratory, Department of Mechanical & Industrial Engineering, University of Toronto, 5 King's College Road, Toronto, ON, Canada M5S 3G8. Email: [email protected]., corresponding author)
Year2021
Volume54
Issue5
Pages552-557
Publication date2021-10-14
Open AccessNo
TypeARTICLE
VenueLeonardo (JOURNAL)
Journal identifiersISSN: 0024-094X • E-ISSN: 1530-9282
PublisherMIT Press (PUBLISHER • US)
DOI10.1162/leon_a_02009
OpenAlexW3111347667
LanguageEN
References cited16

More than a decade ago, the authors proposed establishing a basis for scientific exploration of blood-flow dynamics intertwined with the visual arts. Here they present a case study showing how paradigms they codeveloped for visually abstracting cerebral aneurysm blood flows were extrapolated to sonification and bimodal representations, and how a close interdisciplinary partnership was effected by guiding engineering students versed in the arts and artists adept with digital technology toward final outcomes greater than the sum of their parts

Art · Art history · Cognitive science · Digital art · General partnership · Human–computer interaction · Multimedia · Performance art · Sonification · The arts · Visual arts · Anatomy and Medical Technology · Computer Science · Psychology

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