Fifty Years of Composing Computer Music and Graphics
How Time's New Solid-State Tractability Has Changed Audio-Visual Perspectives
Bibliographic Data
| ID | 10287541 |
|---|---|
| Authors | John Whitney (corresponding author) |
| Year | 1991 |
| Volume | 24 |
| Issue | 5 |
| Pages | 597 |
| Publication date | 1991-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo (JOURNAL) |
| Journal identifiers | ISSN: 0024-094X • E-ISSN: 1530-9282 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/1575668 |
| OpenAlex | W2318351874 |
| Language | EN |
| Citations received | 1 |
| References cited | 1 |
In this decade, real-time computer generation of both musical and visual design has become a practical reality. This calls for a new kind of composer with both musical and visual talents. The nature of visual motion that is patterned and colored to join with the motions and colorations of musical pattern is ill-defined and little understood. With a few tentative definitions and descriptions, the author proposes many more initiatives in the near future, as the technology of personal computers and the artists to employ them evolve for fine art as well as popular art
Art · Computer art · Computer graphics · Computer graphics (images) · Computer music · Counterpoint · Fidelity · Graphics · High fidelity · Human–computer interaction · Multimedia · Musical · Rendering (computer graphics) · Variety (cybernetics) · Visual arts · Artificial Intelligence · Computer Science · Music Technology and Sound Studies
| Citations per year | 0.03 |
|---|---|
| Citation span | 1992 - 1992 (1) |
| Highly cited | No |