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The Lore of the Chinese Lute. An Essay in Ch'in Ideology [Continued]

Bibliographic Data

ID10292607
AuthorsR H Van Gulik (corresponding author)
Year1940
Volume3
Issue1
Pages127-127
Publication date1940-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueMonumenta Nipponica (JOURNAL)
Journal identifiersISSN: 0027-0741 • E-ISSN: 1880-1390
PublisherJSTOR (PUBLISHER)
DOI10.2307/2382409
OpenAlexW2323165647
LanguageEN
Citations received5

The Ming repertoire taken as the basis for a study of the significance of the tunes -Significance of the modes Chinese tiao-i, and Japanese netoriThe tunes divided into five groups -1. Tunes describing a mystic joumey (Taoistic) -2. Tunes of a semihistorical character (Confucianist) -3. Musical versions of literary productions-4. Tunes descriptive of nature -5. Tunes descriptive of literary life -Summary

Aesthetics · Ancient history · Art · Ideology · Literature · Lute · Political science · Politics · Chinese history and philosophy · History · Law

  • Van Gulik's The Lore of the Chinese Lute Revisited

    Ouyang Xiao, Ouyang Xiao 欧阳霄•Monumenta Serica•2017

  • The Social Life of Musical Instruments

    Eliot Bates•Ethnomusicology•2012

  • Budistična ikonografija in simbolizem chana v Su Shijevi pesmi »Sliki Wang Weijia in Wu Daozija«

    Open Access•Jan Vrhovski•Asian Studies•2015

  • La notation du timbre instrumental

    Open Access•Caroline Traube•Circuit Musiques contemporaines•2015

Unique citing works4
Citations per year0.36
Citation span2012 - 2017 (6)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 5

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