Government by Appearances
Bibliographic Data
| ID | 10309271 |
|---|---|
| Authors | Peter Wollen (corresponding author) |
| Year | 2000 |
| Volume | 2 |
| Issue | 3 |
| Pages | 91-106 |
| Publication date | 2000-05-31 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | New left review (JOURNAL) |
| Journal identifiers | ISSN: 0028-6060 • E-ISSN: 2044-0480 |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.64590/j1w |
| OpenAlex | W4414174474 |
| Language | EN |
Louis XIV’s passion for dancing, and its metamorphoses, at the beginnings of a society of the spectacle. Peter Wollen looks at the birth of ballet as a projection of state power, and the bonding of elites that court entertainment bequeathed to modern democracies
Entertainment · Government (linguistics · Passion · Projection (relational algebra · State (computer science · Historical Economic and Social Studies · Political Economy and Marxism
| Citation velocity | historical |
|---|---|
| Highly cited | No |