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Politics of Cinema in Hashemite Iraq

Bibliographic Data

ID10315126
AuthorsElizabeth Bishop (0000-0002-5901-7486, 1 Texas State University San Marcos, corresponding author)
Year2013
Volume93
Issue1
Pages101-126
Publication date2013-01-01
Open AccessNo
TypeARTICLE
VenueOriente Moderno (JOURNAL)
Journal identifiersISSN: 0030-5472 • E-ISSN: 2213-8617
PublisherBrill (PUBLISHER • NL)
DOI10.1163/22138617-12340004
OpenAlexW1994673437
LanguageEN

Hashemite Iraq was better integrated into the global cinema that other Arab countries. Baghdad audiences loved film noir , and the US succeeded in displacing the UK as a source of newsreels, as well. During the Cold War’s first decade, Hollywood continued to pump inexpensive productions and aged celluloid through Iraq, including films made under US government contracts. Local viewers responded thoughtfully to such films, engaging themes such as responsibility and guilt. Against this general background, specific allegations that testing of weapons delivery systems for germ warfare continued after the end of the Korean War, are assessed in the light that public health authorities reported a series of outbreaks of meningitis among audiences in Baghdad cinemas

Advertising · Art · Art history · Business · Government (linguistics · Hollywood · Iraq war · Media studies · Movie theater · Political science · Politics · Sociology · Law · Terrorism, Counterterrorism, and Political Violence

Highly citedNo

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