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The Gamut from A to B

The Image of the Black in Pre-1915 Movies

Datos Bibliográficos

ID10367352
AutoresDaniel J Leab (Columbia University, autor de correspondencia)
Año1973
Volumen88
Número1
Páginas53-70
Fecha de publicación1973-03-01
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaPolitical Science Quarterly (JOURNAL)
Identificadores de la revistaISSN: 0032-3195 • E-ISSN: 1538-165X
EditorialOxford University Press (OUP) (PUBLISHER)
DOI10.2307/2148648
OpenAlexW2333006019
IdiomaEN

The outrageous and shabby treatment that blacks have received at the hands of the American motion picture industry has become common knowledge in recent years. The matter has been aired thoroughly on television and explored fully in newspapers and magazines. But although only recently drawn the American public's attention, the fact that the movies until just a few years ago either completely ignored blacks or, with rare exceptions, stereotyped them in demeaning and/or condescending roles has been a subject of discussion and condemnation for a long time, especially in the black community. As long ago as 1914, when the movies were still in their infancy, the respected black journalist Lester Walton strongly denounced the industry for ridiculing and continually representing the race at its worst. Arguing that the movies could be an important educational force for improved relations between black and white America, Walton declared that the duty of the industry should be to emancipate the white American from his peculiar ideas about the black community and not further incorrect notions of the colored American . . . hurtful both races

Art history · Duty · Film industry · Media studies · Movie theater · Newspaper · Political science · Race (biology · Sociology · Subject (documents · Subject matter · White (mutation · Cinema and Media Studies · Gender Studies · History · Law · Race, History, and American Society

Velocidad de citaciónhistorical
Altamente citadoNo
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