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Heresy at Play

Academies and the Literary Underground in Counter-Reformation Siena

Bibliographic Data

ID10410394
AuthorsGeorge Mcclure (0000-0002-7784-6907, University of Alabama, corresponding author)
Year2010
Volume63
Issue4
Pages1151-1207
Publication date2010-12-01
Open AccessYes
TypeARTICLE
VenueRenaissance Quarterly (JOURNAL)
Journal identifiersISSN: 0034-4338 • E-ISSN: 1935-0236
PublisherUniversity of Chicago Press (PUBLISHER • US)
DOI10.1086/658509
OpenAlexW2333414654
LanguageEN
Citations received1
References cited35

This article examines an anonymous manuscript from the Sienese academies, likely composed between 1584 and 1593, during the period in which these societies were closed by the Medici grand dukes. The work is a dialogue that depicts a contest between the emblems of the academies of the Intronati, the Accesi, and the Travagliati, all vying for cultural primacy. Purportedly written by a zealous monk who appraises these worldly emblems and mottoes in preposterously flattering, even blasphemous, religious terms, the dialogue is actually a hoax that mocks the proselytizing efforts of Counter-Reformation forces in the city. This article attempts to roughly date this underground work, identify its principal targets, and consider its importance: as a telling depiction of a contest between secular images and sacred symbols, as a parody of feigned orthodoxy, and as a possible expression of freethinking well before the Enlightenment

Aesthetics · Apocalypticism · Art · CONTEST · Counter-Reformation · Emblem · Enlightenment · Heresy · Hoax · Judaism · KISS (TNC · Literature · Orthodoxy · Period (music · Theology · Byzantine Studies and History · Classics · History · History of Medicine Studies · Philosophy · Renaissance and Early Modern Studies

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Citations per year0.33
Citation span2023 - 2023 (1)
Highly citedNo

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