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Art, Culture, and Mentality in Renaissance Society

The Meaning of Hans Baldung Grien's Bewitched Groom (1544)

Bibliographic Data

ID10412824
AuthorsDale Hoak (William & Mary, corresponding author)
Year1985
Volume38
Issue3
Pages488-510
Publication date1985-10-01
Open AccessYes
TypeARTICLE
VenueRenaissance Quarterly (JOURNAL)
Journal identifiersISSN: 0034-4338 • E-ISSN: 1935-0236
PublisherUniversity of Chicago Press (PUBLISHER • US)
DOI10.2307/2861081
OpenAlexW2333516618
LanguageEN
Citations received3
References cited11

For the study of early modern society, Renaissance art often provides an extraordinary means of exploring visually the values and assumptions, attitudes, and modes of perception of those who inhabited, mentally and materially, the world of traditional, preindustrial Europe. The work of Hans Baldung dit Grien (1484/85-1545), a Swabian painter, illustrator, and designer of stained glass, illuminates one of the most familiar and yet least understood aspects of this world, the mentality of those who believed that some women were capable of influencing a man's sexual nature by means of witchcraft.In a series of prints and drawings executed between 1510 and 1544, Baldung portrayed various aspects of the alleged activities of witches. As contributions to the iconography of witchcraft, these Hexenbilder were without artistic precedent

Aesthetics · Art · Art history · Epistemology · Iconography · Literature · Meaning (existential · Painting · The Renaissance · Financial Crisis of the 21st Century · History · Philosophy · Reformation and Early Modern Christianity · Renaissance and Early Modern Studies

  • Genders, Bodies, Borders

    Kathleen Biddick•Speculum•1993

  • The Witches of Dürer and Hans Baldung Grien

    Open Access•Margaret A Sullivan•Renaissance Quarterly•2000

  • Les Trois Âges et la Mort du peintre Hans Baldung (XVIe siècle)

    Lynn Botelho•Clio•2015

  • The Printing Press as an Agent of Change

    Open Access•Elizabeth L Eisenstein•Printing Press As an Agent of…•1980

  • Baldung's Bewitched Groom Revisited

    Linda C Hults•Sixteenth Century Journal•1984

  • Thomas More

    Dorothy Koenigsberger•History of European Ideas•1984

  • Who Were the Witches? The Social Roles of the Accused in the European Witch Trials

    Richard A Horsley•The Journal of Interdisciplinary…•1979

  • The Social Place of a German Renaissance Artist

    Open Access•Thomas A Brady•Central European History•1975

  • The Great European Witch-Hunts

    Dale Hoak•American Journal of Sociology•1983

  • Materials toward a History of Witchcraft

    Open Access•R D Jameson, Henry Charles Lea et al.•Western Folklore•1958

  • Witchcraft in France and Switzerland

    Alan Charles Kors, E William Monter•The Journal of Interdisciplinary…•1979

  • La sodomie à l'époque moderne en Suisse romande

    Open Access•E William Monter•Annales Histoire Sciences Sociales•1974

Citations per year0.09
Citation span1993 - 2015 (23)
Highly citedNo

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