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Aspects of Patronage in Fifteenth- and Sixteenth-Century Venice

Bibliographic Data

ID10413864
AuthorsDennis Romano (Syracuse University, corresponding author)
Year1993
Volume46
Issue4
Pages712-733
Publication date1993-12-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueRenaissance Quarterly (JOURNAL)
Journal identifiersISSN: 0034-4338 • E-ISSN: 1935-0236
PublisherUniversity of Chicago Press (PUBLISHER • US)
DOI10.2307/3039020
OpenAlexW2328809552
LanguageEN
Citations received6
References cited35

Michael Baxandall's Study Painting and Experience in Fifteenth-Century Italy opens with the useful reminder that a “painting is the deposit of a social relationship,” that is, a relationship between patron and client. When Baxandall and other historians of Renaissance art use the term patronage, they generally do so in a restricted sense to indicate the relationship that existed when an individual or an institution such as a guild, confraternity, or monastic establishment commissioned a specific work of art from an artist or artisan. Often formalized through a contract, the relationship between patron and client was essentially a legal one in which the artist agreed to render a specific service in return for a preestablished or a negotiable sum of money. With the completion of the commission, the relationship essentially ended, unless succeeded by another commission

Art · Art history · Commission · Fifteenth · Institution · Painting · Political science · The Renaissance · Art History and Market Analysis · Classics · Historical Economic and Social Studies · History · Law · Renaissance and Early Modern Studies

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    Michael Banton•The Social anthropology of…•1968

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    Open Access•Arjun Appadurai•Social Life of Things•1986

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    Open Access•Maureen Flynn•Sacred Charity•1989

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Unique citing works6
Citations per year0,21
Citation span1997 - 2022 (26)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 6

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