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Jack Drum's Entertainment as Burlesque

Bibliographic Data

ID10414307
AuthorsMichael C Andrews (0000-0002-0017-2748)
Year1971
Volume24
Issue2
Pages226-231
Publication date1971-07-01
Open AccessYes
TypeARTICLE
VenueRenaissance Quarterly (JOURNAL)
Journal identifiersISSN: 0034-4338 • E-ISSN: 1935-0236
PublisherUniversity of Chicago Press (PUBLISHER • US)
DOI10.2307/2859199
OpenAlexW2312210430
LanguageEN
References cited1

It has long been recognized that Jack Drum's Entertainment (1600), a play now acknowledged to be the work of Marston, is indebted to the first part of Sir Philip Sidney's tale of Argalus and Parthenia (Arcadia, Bk. 11, chs. 2, 7); and that this as well as other material from the Arcadia appeared in the roughly contemporaneous The Trial of Chivalry. There has been, however, no effort to explore either the precise nature of Marston's use of the Arcadia, or the relationship between the plays. A study of these questions reinforces the argument that Marston's intention in Jack Drum's Entertainment is unmistakably satiric. The evidence strongly suggests that Marston's play, written for performance at Paul's, should be read in the context of the War of the Theaters: it burlesques the naively romantic crudities of the public theatres in general (what Marston, in his Introduction, calls ‘mouldy fopperies of stale Poetry, / Unpossible drie mustie Fictions'), but is directed specifically at The Trial of Chivalry, which had recently been staged by the Earl of Derby's Men

Arcadia · Art · Art history · Burlesque · Comics · Context (archaeology · Entertainment · Literature · Performance art · Poetry · Romance · Visual arts · Folklore, Mythology, and Literature Studies · History · Literature: history, themes, analysis · Medieval Literature and History

Highly citedNo

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