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The 2011 Josephine Waters Bennett Lecture

From the Sheephook to the Scepter: The Ambiguities of David's Rise to the Throne

Bibliographic Data

ID10415439
AuthorsAnne Lake Prescott (Columbia University, corresponding author)
Year2012
Volume65
Issue1
Pages1-30
Publication date2012-03-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueRenaissance Quarterly (JOURNAL)
Journal identifiersISSN: 0034-4338 • E-ISSN: 1935-0236
PublisherUniversity of Chicago Press (PUBLISHER • US)
DOI10.1086/665834
OpenAlexW2019705223
LanguageEN
References cited3

King David's rise from tending sheep to governing Israel impressed Renaissance writers, not least the poets and clergymen who found a model in his musical “psalmograph.” Yet ambiguities nestle in allusions to his career. Though many stressed that his ascent was thanks to divine election and not to ambition or guile, the fact remained that David did not inherit his scepter. Europe, though, was for the most part ruled by those with dynastic claims, and it had a class system in which literal shepherds should know their place, even if the Bible asserts that the valleys shall be exalted and the mountains made low. Comments on kings and bishops as shepherds, on shepherds as kings, and on David's upward career are fascinating to trace precisely because their social and political context can give them the energy of a concealed ambivalence

Ambivalence · Archaeology · Art · Art history · Bishops · Context (archaeology · Epitaph · Literature · Musical · Politics · The Renaissance · Throne · Biblical Studies and Interpretation · Classics · Historical and Linguistic Studies · History · Law

  • Imitation of David

    Barbara Pitkin•Sixteenth Century Journal•1993

  • The David Myth in Western Literature

    Allan J Gedalof, Raymond-Jean Frontain et al.•Eighteenth-Century Studies•1982

  • Psalm Culture and Early Modern English Literature

    Kenneth J E Graham•Sixteenth Century Journal•2005

Citation velocityhistorical
Highly citedNo

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