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The Composition of Giorgio Vasari's Ricordanze

Evidence from an Unknown Draft

Bibliographic Data

ID10418928
AuthorsPhilip J Jacks (corresponding author)
Year1992
Volume45
Issue4
Pages739-784
Publication date1992-12-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueRenaissance Quarterly (JOURNAL)
Journal identifiersISSN: 0034-4338 • E-ISSN: 1935-0236
PublisherUniversity of Chicago Press (PUBLISHER • US)
DOI10.2307/2862635
OpenAlexW2334246972
LanguageEN
Citations received1
References cited8

The fame of Giorgio Vasari's Vite de’ eccellcnti pittori satltori ed architettori, both as a masterpiece of Italian literature and the model of modern biography, has perhaps slighted our awareness of the degree to which this author was also a publicist of his own artistic persona. Actually the documentation Vasari left of his professional and domestic affairs is probably more copious than the research he compiled for the lives of his fellow artists. Yet Vasari must have come to the idea of an autobiography relatively late in life. At the end of the second edition of the Vite published in 1568, he devoted “alcune cose degli artefici della nostra Accademia di Firenze,” followed by a “descrizione” of his own career up to the present. Rather than an expression of self-effacement, here the distinction between description and biography seems to be a question of genre. Why Vasari found the scheme of the vita suitable for some contemporaries and not for others is difficult to explain. As for his own life, the prospect of writing the definitive version at this stage no doubt would have seemed a bit premature

Art · Art history · Biography · Composition (language · Documentation · Humanities · Literature · Persona · Art History and Market Analysis · History · Renaissance and Early Modern Studies · Renaissance Literature and Culture

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Unique citing works1
Citations per year0,05
Citation span2007 - 2007 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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