Memorializing the Wars of Religion in Early Seventeenth-Century French Picture Galleries
Protestants and Catholics Painting the Contested Past
Bibliographic Data
| ID | 10419376 |
|---|---|
| Authors | David Van Der Linden (0000-0002-7050-1818, University of Groningen, corresponding author) |
| Year | 2017 |
| Volume | 70 |
| Issue | 1 |
| Pages | 132-178 |
| Publication date | 2017-03-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Renaissance Quarterly (JOURNAL) |
| Journal identifiers | ISSN: 0034-4338 • E-ISSN: 1935-0236 |
| Publisher | University of Chicago Press (PUBLISHER • US) |
| DOI | 10.1086/691832 |
| OpenAlex | W2590660735 |
| Language | EN |
| Citations received | 5 |
| References cited | 33 |
This article examines how Protestant and Catholic elites in early seventeenth-century France memorialized the Wars of Religion in purpose-built picture galleries. Postwar France remained a divided nation, and portrait galleries offered a sectarian memory of the conflict, glorifying party heroes. Historical picture galleries, on the other hand, promoted a shared memory of the wars, focusing on King Henry IV’s successful campaign against the Catholic League to unite the kingdom. This article argues that postwar elites made a sincere effort to manage religious tensions by allowing partisan memories to circulate in private while promoting a consensual memory in public
Ancient history · Art · Art history · Early Modern Europe · League · Painting · Political science · Portrait · Protestantism · Historical Art and Culture Studies · Historical Studies and Socio-cultural Analysis · History · Law · Philosophy · Reformation and Early Modern Christianity · Religious studies · Religious Studies
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Divided memories? Historical calendars, commemorative processions and the recollection of the Wars of Religion during the ancien regime
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Tact and Topical Reference in Rubens's 'Medici Cycle
Rubens’s Life of Maria de’ Medici
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| Citations per year | 0.45 |
|---|---|
| Citation span | 2015 - 2023 (9) |
| Highly cited | No |