Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Dance and the Garden

Moving and Static Choreography in Renaissance Europe

Bibliographic Data

ID10428804
AuthorsJennifer Nevile (UNSW Sydney, corresponding author)
Year1999
Volume52
Issue3
Pages805-836
Publication date1999-10-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueRenaissance Quarterly (JOURNAL)
Journal identifiersISSN: 0034-4338 • E-ISSN: 1935-0236
PublisherUniversity of Chicago Press (PUBLISHER • US)
DOI10.2307/2901919
OpenAlexW2056167138
LanguageEN
Citations received4
References cited19

In the Renaissance there were close similarities between the static choreography of the formal gardens of the nobility and the moving choreographies performed by the members of the court. The principles of order and proportion, the expression of splendour, the geometrical forms, were all fundamental principles of both Renaissance court dance and the formal garden. The patterns in both these art-forms were meant to be viewed from above. This close similarity in design principles between the horticultural and kinetic arts existed right through the fifteenth and sixteenth centuries and continued into the seventeenth century

Art · Art history · Choreography · Dance · Fifteenth · Image (mathematics · Nobility · Political science · Politics · Similarity (geometry · The arts · The Renaissance · Visual arts · Classics · Computer Science · Historical and Literary Studies · Historical Art and Culture Studies · Law · Musicology and Musical Analysis

  • ‘Rules for Design’

    Open Access•Jennifer Nevile•Dance Research•2007

  • Politic Magnificence

    Laurent Odde•Sixteenth Century Journal•2015

  • War and Seduction in Cybele’s Garden

    Open Access•Ewa Kociszewska•Renaissance Quarterly•2012

  • Labyrinth Dances in the French and English Renaissance

    Open Access•Thomas M Greene•Renaissance Quarterly•2001

  • Shakespeare and the geography of difference

    John Gillies•Shakespeare and the geography of…•1994

  • Newly Devis'd Measures for Jacobean Masques

    John M Ward•Acta Musicologica•1988

  • 'Certain Sweet Movements' the Development of the Concept of Grace in 15th-Century Italian Dance and Painting

    Jennifer Nevile•Dance Research•1991

  • Ideal Forms in the Age of Ronsard

    Bodo L O Richter, Bodo L O Richter Bodo L O Richter•Sixteenth Century Journal•1987

  • On the Practice or Art of Dancing

    Andrew Vorder Bruegge•Sixteenth Century Journal•1995

  • The Italian Renaissance Garden

    Vanessa Stephen, Claudia Lazzaro•Garden History•1992

  • The Genius of the Place

    Christopher Thacker, John Dixon Hunt et al.•Garden History•1976

  • Breaking down barriers in the study of Renaissance and Baroque dance

    Barbara Sparti•Dance Chronicle•1996

  • Cavalieri's theatrical ballo and the social dances of Caroso and Negri

    Jennifer Nevile•Dance Chronicle•1999

  • Cavalieri's Theatrical Ballo “O che nuovo miracolo”

    Jennifer Nevile•Dance Chronicle•1998

  • Le Gratie d'Amore

    Gabriella Asaro, Cesare Negri et al.•Revue de musicologie•2006

  • L'art du Ballet de cour en France, 1581-1643

    Andre Verchaly, François Lesure et al.•Revue de musicologie•1964

Unique citing works4
Citations per year0,16
Citation span2001 - 2015 (15)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 4

Tools

Open DOISci-Hub
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae