Beckett, Deleuze and the Televisual Event
Peephole Art
Bibliographic Data
| ID | 10496116 |
|---|---|
| Authors | Daniel H Foster (0000-0002-0398-5349, corresponding author), D Foster |
| Year | 2014 |
| Volume | 55 |
| Issue | 3 |
| Pages | 432-435 |
| Publication date | 2014-09-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Screen (JOURNAL) |
| Journal identifiers | ISSN: 0036-9543 • E-ISSN: 1460-2474 |
| Publisher | Oxford University Press (OUP) (PUBLISHER) |
| DOI | 10.1093/screen/hju024 |
| OpenAlex | W2323166914 |
| Language | EN |
Journal Article Beckett, Deleuze and the Televisual Event: Peephole Art Get access Colin Gardner, Beckett, Deleuze and the Televisual Event: Peephole Art. Basingstoke: Palgrave Macmillan, 2012, 226 pp. David Foster David Foster [email protected] Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 55, Issue 3, Autumn 2014, Pages 432–435, https://doi.org/10.1093/screen/hju024 Published: 01 September 2014
Art · Art history · Event (particle physics · Media studies · Sociology · Visual arts · Franz Kafka Literary Studies · Philosophy, Ethics, and Existentialism · Samuel Beckett and Modernism
| Highly cited | No |
|---|