Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Lineages of Pakistan’s ‘Urdu’ cinema

Mode, mood and genre in Zehr-e Ishq / Poison of Love (1958)

Bibliographic Data

ID10497309
AuthorsIftikhar Dadi (corresponding author)
Year2016
Volume57
Issue4
Pages480-487
Publication date2016-10-03
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueScreen (JOURNAL)
Journal identifiersISSN: 0036-9543 • E-ISSN: 1460-2474
PublisherOxford University Press (OUP) (PUBLISHER)
DOI10.1093/screen/hjw050
OpenAlexW2566073553
LanguageEN
Citations received5

The impossibility of fully disentangling cinemas identified as ‘Hindi’ from those designated ‘Urdu’ presents very specific challenges to the task of situating Pakistani Urdu cinema as an object of scholarly study. Although my intention is to address cinema from Pakistan after 1947, the persistence of intimate connections between Pakistani ‘Urdu’ cinema and Indian ‘Hindi’ cinema means linguistic labels tend to obscure important aspects of mutual imbrication. As an industrial form seeking mass address, it is debatable whether it is even possible to identify cinema produced in Bombay, Lahore and other sites as recognizably ‘Hindi’ or ‘Urdu’, either before or after 1947. A broader notion of cinema from South Asia that deploys Urdu would include numerous films from the 1930s to the 1970s from a number of production centres. Even before the onset of the talkies in 1931 in colonial India, commercial cinema from Bombay (that which is commonly labeled as ‘Hindi’ cinema) had long utilized writers and poets who wrote screenplays and songs in the Urdu script or deployed rhetoric associated with Urdu, but in a register that did not seek to foreground its separateness from Hindi. The two languages may be understood as marking inflections in a greater Indian linguistic register (written in separate scripts), where the move from sameness to difference in spoken language is modulated by habit but also by deliberate choices in vocabulary and rhetoric

Art · Hindi · Linguistics · Literature · Movie theater · Rhetoric · Urdu · History · Philosophy · Social and Economic Development in India · South Asian Cinema and Culture · South Asian Studies and Conflicts

  • Behind the Scenes

    Open Access•Zebunnisa Hamid•BioScope South Asian Screen Studies•2020

  • Partition Violence and National Unity

    Kamran Asdar Ali•The Journal of Asian Studies•2025

  • Absence of the ‘un-exchangeable’ monument

    Aditi Chandra•South Asian Popular Culture•2018

  • Female-Star-Authorship across South Asia

    Esha Niyogi De•Feminist Media Studies•2020

  • How do Pakistani drama serials discursively represent domestic violence

    Open Access•Faiqa Ahmad•Qualitative Research Journal•2023

Unique citing works5
Citations per year0.63
Citation span2018 - 2025 (8)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 5

Tools

Open DOISci-Hub
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae