Theatrical Voyeurism
Performing Rehearsal in the Spanish Comedia Nueva
Bibliographic Data
| ID | 10611249 |
|---|---|
| Authors | Alejandro García-Reidy, Alejandro García‐Reidy (0000-0003-4565-3438, corresponding author) |
| Year | 2016 |
| Volume | 131 |
| Issue | 2 |
| Pages | 356-377 |
| Publication date | 2016-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Modern Language Notes (JOURNAL) |
| Journal identifiers | ISSN: 0149-6611 • E-ISSN: 2326-1978 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/mln.2016.0034 |
| OpenAlex | W2468263088 |
| Language | EN |
| References cited | 7 |
[EN]In this article I will examine how rehearsal was embodied on the early modern Spanish stage: that is, how it appears as an element of performance within a number of Comedia nueva plays. More specifically, I will focus on how the rehearsal experience was brought to life for audiences in Spanish playhouses and what functions it performed within the play it was part of. In early modern Spain, rehearsals within plays were staged with different metatheatrical techniques, which allowed playwrights to present an image of what few spectators actually had the opportunity to see for themselves due to the private nature of professional rehearsals
Aesthetics · Art · Psychoanalysis · Visual arts · Voyeurism · Historical and Modern Theater Studies · Psychology · Theater, Performance, and Music History · Theatre and Performance Studies
Le Theatre dans le theatre sur la scene francaise du XVIIe siecle
The Routledge Companion to Iberian Studies
Documents of Performance in Early Modern England
The Golden Age Comedia
Is the Spanish Comedia a Metatheater
La tecnica del actor espanol en el Barroco. Hipotesis y documentos
Drama, Metadrama and Perception
| Citation velocity | historical |
|---|---|
| Highly cited | No |