Bolop and Lilacs
Identification and Transcendence in Le Jour se lève
Bibliographic Data
| ID | 10612596 |
|---|---|
| Authors | Perry Moon (corresponding author) |
| Year | 2018 |
| Volume | 133 |
| Issue | 4 |
| Pages | 1052-1069 |
| Publication date | 2018-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Modern Language Notes (JOURNAL) |
| Journal identifiers | ISSN: 0149-6611 • E-ISSN: 2326-1978 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/mln.2018.0066 |
| OpenAlex | W2899577836 |
| Language | EN |
| References cited | 2 |
This article examines the question of identification in Marcel Carné's Le Jour se lève. Beginning with the vexed question of the spectator's identification with the film's protagonist, the article then considers how the film itself puts identification into question. The article explores the depiction of identification within Le Jour se lève both in the light of Sartre's philosophy in L'Etre et le néant and in comparison with the film's American remake, The Long Night
Art · Art history · Depiction · Epistemology · Humanities · Identification (biology) · Literature · Transcendence (philosophy) · Cinema and Media Studies · French Historical and Cultural Studies · French Literature and Criticism · Philosophy
| Highly cited | No |
|---|