A Singular Falsity
Metaphysics, Modernity, and Eternal Return in El amor en los tiempos del cólera
Bibliographic Data
| ID | 10612784 |
|---|---|
| Authors | Stefan Mattessich (corresponding author) |
| Year | 2008 |
| Volume | 123 |
| Issue | 2 |
| Pages | 331-355 |
| Publication date | 2008-03-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Modern Language Notes (JOURNAL) |
| Journal identifiers | ISSN: 0149-6611 • E-ISSN: 2326-1978 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/mln.0.0002 |
| OpenAlex | W1993024714 |
| Language | EN |
| References cited | 1 |
This essay frames in García Márquez’s novel an ethical subjectivity constituted through discursive relations to a distinctively modern history. These relations are sustained by his characters via psychological modes of disavowal, euphemism, and denial that García Márquez analyzes in terms of an aesthetic drive for autonomy or exception. This drive works not simply at a thematic level but also semiotically, in the novel’s formal dimension, and according to a principle of “eternal return” singularly legible in a self-implicating reflection on language and interpretation. This essay seeks to demonstrate this reflection both in the novel and in its own approach, on the assumption that its stakes for García Márquez appear most readily in “readerly complicity” with the modern history his novel tells
Art · Epistemology · Falsity · Garcia · Humanities · Interpretation (philosophy) · Linguistics · Literature · Metaphysics · Modernity · Subjectivity · Borges, Kipling, and Jewish Identity · Latin American Literature Studies · Literature, Magical Realism, García Márquez · Philosophy
| Highly cited | No |
|---|