The World Viewed. Reflections on the Ontology of Film
Bibliographic Data
| ID | 10612968 |
|---|---|
| Authors | Natalie Harris Bluestone |
| Year | 1972 |
| Volume | 87 |
| Issue | 7 |
| Pages | 1003 |
| Publication date | 1972-12-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | REVIEW |
| Review of | The world viewed: Reflections on the Ontology of Film, Stanley Cavell, 1979 |
| Venue | Modern Language Notes (JOURNAL) |
| Journal identifiers | ISSN: 0149-6611 • E-ISSN: 2326-1978 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/2907802 |
| OpenAlex | W4244935306 |
| Language | EN |
Aesthetics · Art · Epistemology · Ontology · Computer Science · Italian Literature and Culture · Philosophy
In Medias Res
Iconoclasm in European Cinema
Linda Williams, 18 December 1946–12 March 2025
Séries de Televisão
History in the making
The aesthetic judgment “This is art” in Stanley Cavell and Thierry de Duve
Metaphysics of the sequence shot
Radical Hope or the Moral Imperative of Images in the Work of Susan Sontag Jean-Luc Godard
Just a famous actor sitting in front of a judge
After-Image
Postmemory and documentary aesthetics in the digital age
Walter Benjamin in the bathhouse
Temporal Dispersions of Disgust
Phototextuality
Place and the Politics of Loss in Mercedes Álvarez’s El cielo gira (2004)
Issues of judgement and value in television studies
Participation
The charm of morality
Ordinary lives behind extraordinary occupations
Must we mean what we do? – Review Symposium on Leys’s The Ascent of Affect
The Happy Side of Babel”
What We Do When We Do Law and Popular Culture
From matrimony to malaise
Latent body—plastic, malleable, inscribed
The day after
Drole de Guerre
Film as Moral Education
The aporia of cinders and the aporetic structure of Hiroshima mon amour
Totally, Tenderly, Tragically
Deleuze and Film's Philosophical Value
The Navigable Image
On the Political Ontology of theDispositif
Seeing Education on Film
The Virtual Life of Film by D. N. Rodowick
The Cambridge History of Modernism
Subjectivity
Genretheorien des Films
Popular culture and politics
Why film matters to political theory
Cinema and human dignity
The Necessity of Aesthetic Metanoia
Ancient Chinese cave paintings as cinema
Antiteatralidade E Reconhecimento Em Retrato De Uma Jovem Em Chamas
Poor digitality and Hsu Che-Yu and Chen Wan-Yin’s experimental documentaries
The Phenomenology of Animation
Reconsidering remarriage
Fiction as a challenge to text-oriented film studies
Disgust, Race and Ideology in Carl Franklin’s Devil in a Blue Dress
The Action Mode
Trembling Meaning
Receptivity, Simultaneity
Meek’s Cutoff , Hobbes and the Ambiguities of Political Foundation
Catherine Wheatley (2019) Stanley Cavell and Film
The Availability of Jim Jarmusch’s Film-Philosophy
Law, Justice, and Community in Kore-eda’s Shoplifters and Von Trier’s The House That Jack Built
Vulgar Boredom, or What Andy Warhol Can Teach Us about Candy Crush
Fotografía y memoria en el Perú de la posguerra
Stereotypes and the Narratological Analysis of Film Characters
Screen Narrative in the Digital Era
Farocki/Godard
Digital Material
Democratic freedom as an aesthetic achievement
| Citation velocity | historical |
|---|---|
| Highly cited | No |