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The Orlando Furioso and Ovid's Revision of the Aeneid

Bibliographic Data

ID10613224
AuthorsDaniel Javitch
Year1984
Volume99
Issue5
Pages1023
Publication date1984-12-01
Open AccessNo
TypeARTICLE
VenueModern Language Notes (JOURNAL)
Journal identifiersISSN: 0149-6611 • E-ISSN: 2326-1978
PublisherJSTOR (PUBLISHER)
DOI10.2307/2905398
OpenAlexW2326884207
LanguageEN
Citations received5

Readers of the Orlando Furioso have recognized Ariosto's debt to Ovid ever since the first version of the poem was published in 1516. By the middle of the sixteenth century, editions of the Orlando Furioso already pointed out that such notable episodes in the poem as Bireno's abandonment of Olimpia and her ensuing lament, Ruggiero's rescue of Angelica from the monster Orca, Orlando's similar rescue of Olimpia, Fiordispina's lament upon discovering Bradamante's female identity, and other such pathetic monologues, were all imitations of Ovid. It would be redundant, then, to show that the Metamorphoses is a major subtext of the Orlando Furioso. Moreover, to point out that Ariosto imitated episodes from Ovid's major poem does not serve to distinguish him from a number of previous post-classical poets similarly indebted to Ovid. What does require emphasis and further comment is the fact that Ariosto's use of the Metamorphoses reflects a new understanding of Ovid's sensibility and intention. By its imitations of the Metamorphoses and by its formal and stylistic affinities with the Latin poem, the Furioso betokens a critical appreciation of Ovid that is unprecedented in the post-classical fortune of the Metamorphoses. Ariosto rediscovered features of Ovid's narrative technique and style which, though recognized in our time as distinctive aspects of Ovid's poetry, had gone largely ignored until Ariosto reclaimed them. In an earlier article, entitled Rescuing Ovid from the Allegorizers, I began to illustrate how Ariosto's imitation of the Meta

Art · Humanities · Byzantine Studies and History · Early Modern Spanish Literature · Renaissance and Early Modern Studies

  • Selected Bibliography of Ariosto Criticism, 1980-87

    Robert J Rodini•Modern Language Notes•1988

  • The Imitation of Imitations in Orlando Furioso

    Open Access•Daniel Javitch•Renaissance Quarterly•1985

  • "Ariosto and the "Fier Pastor

    Open Access•Albert Russell Ascoli•Renaissance Quarterly•2001

  • Allusive and Elusive Meanings

    Open Access•Joseph C Sitterson, Joseph C Sitterson Joseph C Sitterson•Renaissance Quarterly•1992

  • Echoes of Ariadne in the Musical Reception of Ariosto and Tasso

    Open Access•Eugenio Refini•Renaissance Quarterly•2020

Citations per year0.12
Citation span1985 - 2020 (36)
Highly citedNo

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