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Reckoning with the Past

Strategies of Musical Authorship in Liszt’s Thematic Catalogue (1855/1877)

Bibliographic Data

ID10655014
AuthorsMichele Calella (corresponding author)
Year2020
Volume101
Issue1
Pages30-70
Publication date2020-02-01
Open AccessYes
TypeARTICLE
VenueMusic and Letters (JOURNAL)
Journal identifiersISSN: 0027-4224 • E-ISSN: 1477-4631
PublisherOxford University Press (PUBLISHER • GB)
DOI10.1093/ml/gcz100
OpenAlexW2995075720
LanguageEN
Citations received1

The thematic catalogue of Franz Liszt’s works, published by Breitkopf & Härtel in 1855 (and in a revised and enlarged edition in 1877), sheds light on Liszt’s artistic development after 1848, when he gave up his career as a virtuoso and settled in Weimar. Drawing on a number of previously unpublished or unexamined letters and documents, the article illustrates how this project—probably started on Liszt’s own initiative—offered the composer a means to select, order, and authorize the corpus of his works in print. At the same time it provided him with the opportunity to modify his authorial image and strengthen his profile as a ‘serious’ composer. The correspondence between Liszt and the publisher as well as other manuscript sources reveal the different strategies which allowed him to reposition himself in the music world and—as best illustrated by the later edition—to expand his profile as a composer even further

Art · Art history · Cartography · Geography · Literature · Musical · Order (exchange) · Thematic map · Visual arts · Diverse Musicological Studies · Historical Influence and Diplomacy · History · Musicology and Musical Analysis

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Highly citedNo

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