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The Performance of Friendship

Paschal de L’estocart and His Circle at the University of Basel, 1581–1583

Bibliographic Data

ID10655151
AuthorsMelinda Latour (corresponding author)
Year2022
Volume102
Issue3
Pages411-441
Publication date2022-03-11
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueMusic and Letters (JOURNAL)
Journal identifiersISSN: 0027-4224 • E-ISSN: 1477-4631
PublisherOxford University Press (PUBLISHER • GB)
DOI10.1093/ml/gcab023
OpenAlexW3205336698
LanguageEN

In this article, I present new research on the composer Paschal de L’Estocart during his peak years of activity at the University of Basel (1581–3). In addition to discussing two fresh pieces of archival evidence related to L’Estocart found in the Basel archives, I offer new research on the identities of his laudatory contributors. Considering how little biographical information has survived on the composer beyond his published music, the identities of these poetic contributors are a critical piece of evidence that fills in our skeletal knowledge of L’Estocart’s network and the social context of his music. Taken together, this new evidence sheds light on L’Estocart’s active participation in the most elite academic circles in Basel and Geneva, which makes his return to the Catholic world at the end of his life all the more difficult to explain. L’Estocart’s 1583 letter to Zwinger, however, offers a clue that might explain his break from the Reformed faith

Context (archaeology) · Elite · Faith · Friendship · Political science · Politics · Social science · Sociology · Theology · Historical Influence and Diplomacy · History · Law · Musicology and Musical Analysis · Philosophy · Reformation and Early Modern Christianity

Citation velocityhistorical
Highly citedNo

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