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Place and Music

Institutions and Cosmopolitanism in ‘Shenqu’, Shanghai Traditional Local Opera, 1912–1949

Bibliographic Data

ID10655867
AuthorsJonathan P J Stock (0000-0001-5108-0491, corresponding author)
Year2002
Volume83
Issue4
Pages542-589
Publication date2002-11-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueMusic and Letters (JOURNAL)
Journal identifiersISSN: 0027-4224 • E-ISSN: 1477-4631
PublisherOxford University Press (PUBLISHER • GB)
DOI10.1093/ml/83.4.542
OpenAlexW2078302624
LanguageEN
Citations received4

The local opera of Shanghai (shenqu or tanhuang, now huju) underwent significant expansion and change in the first part of the twentieth century, often explained as its Golden Age, as it transformed from ballad‐style, seated performances of traditional dramas given by small troupes to fully acted operas by large ensembles based on contemporary news stories and foreign films. These changes are assessed from the twin perspectives of the rise of new, competitive, and industrialized institutions of entertainment in the modern city of Shanghai (for instance, multi‐stage entertainment centres, Western‐style theatres, and radio stations) and of the cosmopolitan character of Shanghai itself. This approach, which rests on archival research and interviews with elderly performers in Shanghai, reverses the analysis of the musical construction of place found in much current ethnomusicology, suggesting how, in this case, the specifics of place have acted to shape musical style and performance.

Aesthetics · Art · Ballad · Character (mathematics) · Cosmopolitanism · Drama · Entertainment · Ethnomusicology · Literature · Media studies · Musical · Opera · Political science · Politics · Sociology · Style (visual arts) · Visual arts · Asian Culture and Media Studies · Chinese history and philosophy · History · Hong Kong and Taiwan Politics · Law

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Unique citing works4
Citations per year0,2
Citation span2006 - 2024 (19)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 3

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