Presenting the Irreconcilable
Protest and Abstraction in Mathias Spahlinger’s ‘Ocean’
Bibliographic Data
| ID | 10658191 |
|---|---|
| Authors | N T Smith (0000-0002-2142-3841, Maastricht University, corresponding author) |
| Year | 2018 |
| Volume | 99 |
| Issue | 3 |
| Pages | 427-447 |
| Publication date | 2018-08-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Music and Letters (JOURNAL) |
| Journal identifiers | ISSN: 0027-4224 • E-ISSN: 1477-4631 |
| Publisher | Oxford University Press (PUBLISHER • GB) |
| DOI | 10.1093/ml/gcy066 |
| OpenAlex | W2895794035 |
| Language | EN |
| References cited | 8 |
This article explores a large-scale political choral work by German composer Mathias Spahlinger, in dem ganzen ocean von empfindungen eine welle absondern, sie anhalten (1985). It maintains that this piece is a concentrated presentation of a fundamental opposition between abstract musical narrative and protest piece. This opposition is contextualized through a discussion of exchanges between Helmut Lachenmann and Luigi Nono, which articulate a divide between vulgar-Adornian abstraction and ‘committed’ agitprop—two viewpoints that have characterized much discourse on music and politics in the twentieth century. Spahlinger’s own extensive writings on the political are also illuminated to furnish an understanding of his aesthetic position. ocean, it is argued in an analysis of the piece, constitutes a startling example of Adorno’s conception of dialectical composition by presenting the irreconcilable nature of this central divide without attempting to synthesize its conflicting materials. It is argued, therefore, that the piece is a vital example of the diversity of modernist responses to music’s relationship with politics.
Aesthetics · Art · Dialectic · Epistemology · Literature · Musical · Narrative · Opposition (politics) · Political science · Politics · Viewpoints · Visual arts · Critical Theory and Philosophy · Law · Literature and Cultural Memory · Musicology and Musical Analysis · Philosophy
| Citation velocity | historical |
|---|---|
| Highly cited | No |