The Anglican Dissonance. Music in the Anglican Church Finds Itself Split between Purists and Popularists
Bibliographic Data
| ID | 10667854 |
|---|---|
| Authors | Jonathan Freeman-Attwood, Jonathan Freeman‐Attwood (corresponding author) |
| Year | 1992 |
| Volume | 133 |
| Issue | 1792 |
| Pages | 309 |
| Publication date | 1992-06-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | The Musical Times (JOURNAL) |
| Journal identifiers | ISSN: 0027-4666 • E-ISSN: 2397-5318 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/966087 |
| OpenAlex | W2795498659 |
| Language | EN |
Jonathan Freeman-Attwood, The Anglican Dissonance. Music in the Anglican Church Finds Itself Split between Purists and Popularists, The Musical Times, Vol. 133, No. 1792, Choirs and Trends (Jun., 1992), pp. 309-310+312
Art · Cognitive dissonance · Pentecostalism and Christianity Studies · Philosophy · Psychology · Reformation and Early Modern Christianity · Social Psychology
| Citation velocity | historical |
|---|---|
| Highly cited | No |