The World Viewed

Reflections on the Ontology of Film

Dados Bibliográficos

ID10695044
AutoresGeorge M Wilson, Stanley Cavell
Ano1974
Volume83
Fascículo2
Páginas240
Data de publicação1974-04-01
Peer ReviewedSim
Open AccessNão
TipoARTICLE
PeriódicoThe Philosophical Review (JOURNAL)
Identificadores do periódicoISSN: 0031-8108 • E-ISSN: 1558-1470
EditoraJSTOR (PUBLISHER)
DOI10.2307/2184141
OpenAlexW1964423832
IdiomaEN
Citações recebidas98

Foreword to the Enlarged Edition Preface 1. An Autobiography of Companions 2. Sights and Sounds 3. Photograph and Screen 4. Audience, Actor, and Star 5. Types Cycles as Genres 6. Ideas of Origin 7. Baudelaire and the Myths of Film 8. The Military Man and the Woman 9. The Dandy 10. End of the Myths 11. The Medium and Media of Film 12. The World as Mortal: Absolute Age and Youth 13. The World as a Whole: Color 14. Automatism 15. Excursus: Some Modernist Painting 16. Exhibition and Self-Reference 17. The Camera's Implication 18. Assertions in Techniques 19. The Acknowledgment of Silence More of The World Viewed Notes Index

Contemporary philosophy · Epistemology · General interest · Ontology · Computer Science · French Literature and Poetry · Philosophy · Shakespeare, Adaptation, and Literary Criticism