Principles of Art History Writing
Bibliographic Data
| ID | 10697501 |
|---|---|
| Authors | Cynthia A Freeland, Cynthia Freeland, David Carrier |
| Year | 1993 |
| Volume | 102 |
| Issue | 2 |
| Pages | 296 |
| Publication date | 1993-04-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | The Philosophical Review (JOURNAL) |
| Journal identifiers | ISSN: 0031-8108 • E-ISSN: 1558-1470 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/2186051 |
| OpenAlex | W2064617976 |
| Language | EN |
| Citations received | 4 |
Principles of Art History Writing traces the changes in the way in which writers about art represent the same works. These differ in such deep ways as to raise the question of whether those at the beginning of the process even saw the same things as those at the end did. Carrier uses four case studies to identify and explain changing styles of restorations and the history of interpretations of selected works by Piero, Caravaggio, and van Eyck
Aesthetics · Analytic philosophy · Art · Contemporary philosophy · Epistemology · Literature · Aesthetic Perception and Analysis · Architecture and Art History Studies · Art History and Market Analysis · Philosophy
| Unique citing works | 4 |
|---|---|
| Citations per year | 0,13 |
| Citation span | 1994 - 2017 (24) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |