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The Scientific Outlook of Cézanne

Bibliographic Data

ID10706806
AuthorsJames K Feibleman (corresponding author), James Feibleman
Year1942
Volume9
Issue3
Pages275-280
Publication date1942-07-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenuePhilosophy of Science (JOURNAL)
Journal identifiersISSN: 0031-8248 • E-ISSN: 1539-767X
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1086/286772
OpenAlexW2079723368
LanguageEN

For some while now it has been the fashion to write about Cézanne. Numerous exhibitions of his paintings have been held and a flood of criticism in notices and books has poured forth; yet much remains to be seen and said. The reason for this is that his peculiar approach to art was of the kind which continues to excite interest in the medium itself. We get from him not only an esthetic enjoyment but an imagination stimulated to dwell upon the possibilities of painting. No derogation of other painters, whose more conventional mastery of their craft has been responsible for canvases of great truth and beauty, is implied by the impetus given to the study of esthetics by Cézanne. It simply happens that at the turn of the century a high suggestiveness was imparted to painting at Aix

Aesthetics · Art · Beauty · Craft · Criticism · Derogation · Exhibition · Literature · Painting · Visual arts · Aesthetic Perception and Analysis · Architecture and Art History Studies · Art History and Market Analysis · Philosophy · Psychology · Social Psychology

Citation velocityhistorical
Highly citedNo

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