Kitty Kielland as a “New Woman”
Bibliographic Data
| ID | 10736770 |
|---|---|
| Authors | Øystein Sjåstad (University of Oslo, corresponding author) |
| Year | 2020 |
| Volume | 92 |
| Issue | 4 |
| Pages | 492-520 |
| Publication date | 2020-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Scandinavian Studies (JOURNAL) |
| Journal identifiers | ISSN: 0036-5637 • E-ISSN: 2163-8195 |
| Publisher | University of Wisconsin Press (PUBLISHER • US) |
| DOI | 10.3368/sca.92.4.0492 |
| OpenAlex | W4391073762 |
| Language | EN |
| References cited | 5 |
Kitty Kielland (1843–1914) has secure status as an innovative and important Norwegian artist. This was the case even in her own lifetime. But her role as a feminist pioneer, and maybe even a queer pioneer, has not been thoroughly analyzed. This article addresses important aspects of Kielland’s
Art · Art history · Norwegian · Queer · Sociology · French Historical and Cultural Studies · Gender Studies · Historical Gender and Feminism Studies · Historical Studies on Reproduction, Gender, Health, and Societal Changes · History · Philosophy
| Citation velocity | historical |
|---|---|
| Highly cited | No |