Theater, Cultural Politics, and Mozart in Nineteenth-Century Stockholm
Bibliographic Data
| ID | 10736825 |
|---|---|
| Authors | Alan Swanson (Rijksmuseum, corresponding author) |
| Year | 2018 |
| Volume | 90 |
| Issue | 4 |
| Pages | 553-571 |
| Publication date | 2018-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Scandinavian Studies (JOURNAL) |
| Journal identifiers | ISSN: 0036-5637 • E-ISSN: 2163-8195 |
| Publisher | University of Wisconsin Press (PUBLISHER • US) |
| DOI | 10.3368/sca.90.4.0553 |
| OpenAlex | W4411050508 |
| Language | EN |
| References cited | 1 |
Depending upon the criteria that one uses, La Clemenza di Tito (1791; The Clemency of Titus) is Mozart’s last or next-to-last opera. It was commissioned for performance in Prague during the festivities attached to the occasion of the coronation there of the Emperor, Leopold II, as King of Bohemia
Art · Cultural politics · Literature · MOZART · Political science · Politics · Diverse Music Education Insights · Historical Influence and Diplomacy · History · Law · Musicology and Musical Analysis
| Highly cited | No |
|---|