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Kenneth Waltz talks through Mark Rothko

Visual metaphors in the discipline of International Relations Theory

Bibliographic Data

ID10737583
AuthorsSerdar Ş Güner (0000-0002-4659-3847, International Relations , Bilkent Universitesi , Ankara 06800 , Turkey, corresponding author)
Year2019
Volume2019
Issue231
Pages171-191
Publication date2019-11-26
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueSemiotica (JOURNAL)
Journal identifiersISSN: 0037-1998 • E-ISSN: 1613-3692
PublisherWalter de Gruyter GmbH (PUBLISHER • DE)
DOI10.1515/sem-2018-0042
OpenAlexW2981087994
LanguageEN
References cited26

Semiotics constitutes an untapped and interdisciplinary source of enrichment for the discipline of International Relations (IR) theory. We propose two visual metaphors to that effect to interpret the figure depicting the central claim of structural realism ( SR ) offered by late Kenneth Waltz who is one of the most disputed, read, and inspiring IR theorists. The figure is the tenor of both metaphors. The vehicles are two paintings by Mark Rothko, namely, “Green and Tangerine on Red” and the “Number 14.” The metaphors generate innumerable meanings for the tenor and eliminate the criticism that SR is a static and an ahistorical theory. Thus, they benefit the Discipline characterised by academic cleavages on the meaning of theory, science, and production of knowledge

Art · Art history · Criticism · Epistemology · Literature · Meaning (existential) · Realism · Semiotics · Sociology · Waltz · Anthropology: Ethics, History, Culture · International Relations and Foreign Policy · Philosophy

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Citation velocityhistorical
Highly citedNo

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