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Presentation” and “representation” of contents as principles of media convergence

A model of rhetorical narrativity of interactive multimedia design in mass communication with a case study of the digital edition of the New York Times

Bibliographic Data

ID10738166
AuthorsFee-Alexandra Haase (0000-0003-4698-6955, Beijing Normal-Hong Kong Baptist University, corresponding author)
Year2019
Volume2019
Issue226
Pages89-106
Publication date2019-01-08
Open AccessYes
TypeARTICLE
VenueSemiotica (JOURNAL)
Journal identifiersISSN: 0037-1998 • E-ISSN: 1613-3692
PublisherWalter de Gruyter GmbH (PUBLISHER • DE)
DOI10.1515/sem-2017-0048
OpenAlexW2901651403
LanguageEN
References cited5

This article presents a model and a case study of the narrative structures that are present in the interactive media design of multimedia applications in the mass media. As basic categories for the history and structure of media, we employ the model of the modes of the physical, analog, and digital presentation/representation. In this case study of the online edition of the New York Times , we have the case of a newspaper that in the digital edition employs multi-media applications. Contrasting the traditional concept of “narrativity” with the current status quo of the digital media outlets, we will examine the specific conditions of the multimedia applications in the mass media with this sample case of the New York Times . As narrative structure of interactive design in multimedia for mass communication, we analyze the types of narrative media and general narrativity in the New York Times with the background of its processes of interactivity and media convergence

Advertising · Art · Digital media · Interactive media · Interactivity · Literature · Mass media · Multimedia · Narrative · Narrativity · Narratology · New media · Presentation (obstetrics) · Representation (politics) · Technological convergence · Telecommunications · World Wide Web · Computer Science · Digital Games and Media · Multimedia Communication and Technology · Radio, Podcasts, and Digital Media

Highly citedNo

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