Dostoevsky's Spiritual Art
The Burden of Vision
Bibliographic Data
| ID | 10747174 |
|---|---|
| Authors | James L Rice, George A Panichas |
| Year | 2005 |
| Volume | 49 |
| Issue | 2 |
| Pages | 316 |
| Publication date | 2005-07-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | The Slavic and East European Journal (JOURNAL) |
| Journal identifiers | ISSN: 0037-6752 • E-ISSN: 2325-7687 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/20058270 |
| OpenAlex | W647446598 |
| Language | EN |
| Citations received | 2 |
Fyodor Dostoevskys highest and most permanent achievement as a novelist lies in his exploration of man's religious complex, his world and his fate. His primary vision is to be found in his last five novels: Crime and Punishment, The Idiot, The Devils, A Raw Youth, and The Brothers Karamazov. This volume culminates twenty years of studying, teaching, and writing on Dostoevsky. Here George A. Panichas critically analyzes the religious themes and meanings of the author's major works. Focusing on the pervasive spiritual consciousness at play, Panichas views Dostoevsky not as a religious doctrinaire, but as a visionary whose fi ve great novels constitute a sequential meditation on man's human and superhuman destiny
Aesthetics · Art · Philosophy, Ethics, and Existentialism · Psychology · Russian Literature and Bakhtin Studies
| Citations per year | 0.67 |
|---|---|
| Citation span | 2023 - 2023 (1) |
| Highly cited | No |