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Cultivating the Art of Living”

The Pleasures of Bertolt Brecht’s Philosophising Theatre Pedagogy

Bibliographic Data

ID10801238
AuthorsKatja Frimberger (0000-0002-2542-4040, University of Strathclyde, corresponding author)
Year2022
Volume41
Issue6
Pages653-668
Publication date2022-11-01
Open AccessYes
TypeARTICLE
VenueStudies in Philosophy and Education (JOURNAL)
Journal identifiersISSN: 0039-3746 • E-ISSN: 1573-191X
PublisherSpringer Science and Business Media LLC (PUBLISHER)
DOI10.1007/s11217-022-09852-6
OpenAlexW4297338661
LanguageEN
Citations received1
References cited12

In this article, I explore Bertolt Brecht's philosophy of education with particular reference to his notion of the Verfremdungseffekt (estrangement effect) as brought to life in the art of gestic acting (Gestus). Giving examples from the 1960 Mother Courage DEFA film version of the play, I demonstrate how Brecht's philosophising theatre is brought forth in Helene Weigel’s gestic acting when portraying the play’s controversial protagonist. The actor's conduct of careful observation and imitation of contradictory human behaviour, are shown to be akin to the practical philosophising stance that Brecht’s wishes to hone in his theatre audiences. Here, Brecht shares a common focus with Aristotle: for both, mimesis is the plausible imitation of human action, and pleasure is mimesis' ultimate aim. But Brecht and Aristotle also differ as to their understanding of what constitutes the plausibility of an imitation; and why and how pleasure is to occur in the audience. Through the practice of a joyfully estranged mimesis, Brecht invites his actors and audiences to philosophise: as to what kind of actions and what kind of theory/theorising (and vice versa) might nourish, or stifle, or human capacity to live a flourishing life together, in the human theatre. In other words, his philosophical theatre, through the art of Gestus in particular, becomes a pedagogical space that seeks to cultivate the art of living in us

Aesthetics · Art · Higher education · Pedagogy · Philosophy of education · Political science · Sociology · Critical and Liberation Pedagogy · Cultural Studies and Interdisciplinary Research · Theatre and Performance Studies

  • The craft of acting as a pedagogical model for living a flourishing life in a world of tensions and contradictions

    Open Access•Katja Frimberger•Educational Philosophy and Theory•2023

  • Moral Learning through Tragedy in Aristotle and Force Majeure

    James MacAllister•Journal of Aesthetic Education•2023

  • Brecht’s Materialist Ethics between Confucianism and Mohism

    Markus Wessendorf•Philosophy East and West•2016

  • Bildung

    Open Access•Yotam Hotam•Journal of Philosophy of Education•2019

  • Education is Self‐Education

    Open Access•Hans‐georg Gadamer•Journal of Philosophy of Education•2001

  • Introduction

    Open Access•Emma Williams•Journal of Philosophy of Education•2022

  • Katharsis

    Jonathan Lear•Phronesis•1988

  • Ancient Aesthetics

    Andrew Mason, Andrew S Mason•Ancient Aesthetics•2016

Citations per year0.33
Citation span2023 - 2023 (1)
Highly citedNo

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