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Violence

The New Realism in Films

Bibliographic Data

ID10829501
AuthorsSusan Rice (Susan Rice's film criticism has appeared in Media & Methods, Take One, New Cinema Review, and Best Sellers magazines. She is an Associate of the Center for Understanding Media in New York City, and is currently completing a screenplay.), Susan K Rice (Kleijnen Systematic Reviews (United Kingdom), corresponding author)
Year1972
Volume29
Issue2
Pages194-198
Publication date1972-07-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueTheology Today (JOURNAL)
Journal identifiersISSN: 0040-5736 • E-ISSN: 2044-2556
PublisherSAGE Publications (PUBLISHER • US)
DOI10.1177/004057367202900211
OpenAlexW2328857069
LanguageEN

“An actor, shot at, grabs his kneecap and falls downstairs. Within a few seconds, he is able to explain, in a politely stoical voice, that he isn't badly hurt—just hit in the leg. This is a fair measure of how intimately most movies are acquainted with even the most rudimentary realities of experience. A good excruciating crack on every kneecap that needs it might be enough to revolutionize Hollywood. Even if it didn't, it would be a pleasure to deliver.”—James Agee Nation, February 14, 1948

Aesthetics · Art · Art history · Hollywood · Pleasure · Psychoanalysis · Realism · Shot (pellet) · Sociology · Visual arts · Cinema and Media Studies · Philosophy · Psychology · Social Psychology

Citation velocityhistorical
Highly citedNo

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