Remembering colonial violence
Inter/textual strategies of Congolese authors
Bibliographic Data
| ID | 10836313 |
|---|---|
| Authors | Susanne Gehrmann (0000-0003-4462-7836, Humboldt-Universität zu Berlin, corresponding author) |
| Year | 2017 |
| Volume | 46 |
| Issue | 1 |
| Pages | 11-27 |
| Publication date | 2017-11-08 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Tydskrif vir letterkunde (JOURNAL) |
| Journal identifiers | ISSN: 0041-476X • E-ISSN: 2309-9070 |
| Publisher | Academy of Science of South Africa (PUBLISHER • ZA) |
| DOI | 10.17159/2309-9070/tvl.v.46i1.3461 |
| OpenAlex | W2010583985 |
| Language | EN |
| Citations received | 1 |
| References cited | 8 |
This article explores the Congolese remembering of the experienced colonial violence through the medium of literature. Although criticism of colonialism is not a favourite topic of Congolese writers, there exists an important corpus of texts, especially when the literary production of Congo Kinshasa and Congo Brazzaville with their politically distinct though sometimes similar experiences is taken into account. Three main strategies of writing about the topic can be distinguished: a documentary mode, an allegorical mode and a fragmented mode, which often appear in combination. Intertextuality with the colonial archive as well as oral African narrations is a recurrent feature of these texts. The short stories of Lomami Tchibamba, of the first generation of Congolese authors writing in French, are analysed as examples for a dominantly allegorical narration. Mythical creatures taken from the context of oral literature become symbols for the process of alterity and power relations during colonialism, while the construction of a heroic figure of African resistance provides a counter-narrative to colonial texts of conquest. Thomas Mpoyi-Buatu’s novel La reproduction (1986) provides an example of fragmented writing that reflects the traumatic experience of violence in both Congolese memory of colonialism and Congolese suffering of the present violent dictatorial regime. The body of the protagonist and narrator becomes the literal site of remembering
Aesthetics · Alterity · Archaeology · Art · Colonialism · Context (archaeology · Criticism · Literature · Narrative · Power (physics · Resistance (ecology · Sociology · African history and culture studies · Anthropology · Caribbean and African Literature and Culture · Cultural Identity and Heritage · History · Philosophy
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Colonial Memories in Belgian and Congolese Literature
Remembering the Present
The Grotesque Body of the Postcolony
Nation-Building, Propaganda, and Literature in Francophone Africa
Un roman « super-moral
Remembering the Other
| Unique citing works | 1 |
|---|---|
| Citations per year | 0.14 |
| Citation span | 2019 - 2019 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |