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Wachten op de barbaren

Metageschiedenis in het werk van Peter Blum

Bibliographic Data

ID10836861
AuthorsSiegfried Huigen (0000-0003-1877-121X, University of Wrocław, corresponding author)
Year2013
Volume50
Issue1
Pages47-63
Publication date2013-04-01
Open AccessYes
TypeARTICLE
VenueTydskrif vir letterkunde (JOURNAL)
Journal identifiersISSN: 0041-476X • E-ISSN: 2309-9070
PublisherAcademy of Science of South Africa (PUBLISHER • ZA)
DOI10.4314/tvl.v50i1.4
OpenAlexW2168114740
LanguageEN
References cited7

This article explores metahistory in the poetry of Peter Blum. In many of Blum’s poems Western civilisation is confronted with theforces of barbarism, without civilisation necessarily being given preference over barbarism. By focussing on the metahistoricalaspects of Blum’s work, it is possible to illuminate the dialectical relationships between apparently disparate cultural domains inhis work—past and present, Europe and South Africa—which critics up till now have treated as self-contained entities. Fromthis angle, Blum appears to be a poet who was highly critical of white South African culture of the 1950s

Archaeology · Art · Barbarism · Civilization · Dialectic · Humanities · Literature · Poetry · Sociology · Theology · Western culture · Anthropology · Archaeology and Rock Art Studies · History · Literature, Politics, and Exile Studies · Philosophy · South African History and Culture

  • The Afrikaners

    Hermann Buhr Giliomee•The Afrikaners•2003

  • Unheimlich moederland

    Gitte Postel•Unheimlich Moederland•2006

  • Metahistory

    Hayden White•Metahistory•1973

  • Die Verwandlung der Welt

    Open Access•Jurgen Osterhammel•Die Verwandlung der Welt•2009

  • A thousand plateaus

    Félix Guattari, Gilles Deleuze•A thousand plateaus•1987

  • Max Gluckman and the Critique of Segregation in South African Anthropology, 1921-1940

    Paul Cocks•Journal of Southern African Studies•2001

  • Kultur, Bildung, Geist

    Raymond Geu, Raymond Geuss•History and Theory•1996

Highly citedNo

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