Wole Soyinka’s A Play of Giants and King Baabu

The crises between ideology and (social) vision

Bibliographic Data

ID10837249
AuthorsKayode Afolayan (0000-0002-3807-0640, University of Ilorin, corresponding author)
Year2017
Volume54
Issue1
Pages158-169
Publication date2017-03-24
Open AccessYes
TypeARTICLE
VenueTydskrif vir letterkunde (JOURNAL)
Journal identifiersISSN: 0041-476X • E-ISSN: 2309-9070
PublisherAcademy of Science of South Africa (PUBLISHER • ZA)
DOI10.17159/tvl.v.54i1.10
OpenAlexW2610589394
LanguageEN
Citations received3
References cited1

Any valid inquiry into the meaning of any imaginative writing will lend itself to the salutary credentials of its content and form. This recourse has always created a divide that seeks on the one hand the aesthetic value of the art and on the other its functional or social values. The social themes discernible in the works of many African writers have provided the impetus for an assessment that digs up the social relevance and the ideological slants of such works. For Wole Soyinka, many critics, building on the ideas of Chinweizu, Madubuike and Jemie, have identified a gap between social responsiveness and ideology in his works. This paper, using Soyinka's A Play of Giants and King Baabu, re-examines the centrality of ideology to texts of social engagement in the postcolonial space. Within the context of the humanistic values that the playwright esteems, this essay scrutinizes the social conditions in the plays and the dramatist's "vision". The conclusion asserts the social relevance of the texts but queries the lack of absolute prescription in Soyinka's work under scrutiny

Aesthetics · Art · Context (archaeology · Epistemology · Humanism · Ideology · Literature · Meaning (existential · Political science · Politics · Relevance (law · Scrutiny · Sociology · Value (mathematics · African history and culture studies · Comparative and World Literature · History · Law · Philosophy · Postcolonial and Cultural Literary Studies

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