Rhyme's End
Bibliographic Data
| ID | 10867553 |
|---|---|
| Authors | Pinch Pinch (English and Foreign Languages University, corresponding author) |
| Year | 2011 |
| Volume | 53 |
| Issue | 3 |
| Pages | 485 |
| Publication date | 2011-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Victorian Studies (JOURNAL) |
| Journal identifiers | ISSN: 0042-5222 • E-ISSN: 1527-2052 |
| Publisher | Indiana University Press (PUBLISHER • US) |
| DOI | 10.2979/victorianstudies.53.3.485 |
| OpenAlex | W2085137238 |
| Language | EN |
| Citations received | 2 |
| References cited | 3 |
This essay examines the late, short poems of Mary Elizabeth Coleridge as examples of the ways in which fin-de-siecle poets tended to use short, rhymed lines to express consciousness of the compression of time at the century's end. essay contributes to recent scholarship on Victorian prosody by demonstrating that the era's theories and practices of rhyme were as philosophically rich as its theories of rhythm. Remarks on rhyme and time by George Saintsbury, Andrew Lang, and Mary Elizabeth Coleridge are-along with Coleridge's poems-compared to fin-de-siecle philosopher John McTaggart Ellis McTaggart's The Unreality of Time and to contemporary philosopher Giorgio Amgaben's The End of the Poem
Art · Art history · Consciousness · Epistemology · Fin de siecle · George (robot · Literature · Poetry · Rhyme · Scholarship · Philosophy · Poetry Analysis and Criticism
| Citations per year | 0.29 |
|---|---|
| Citation span | 2019 - 2019 (1) |
| Highly cited | No |