Hip-Hop/Scotch
"Sounding Francophone" in French and United States Cultures
Bibliographic Data
| ID | 10880461 |
|---|---|
| Authors | Francesca Canadé Sautman (City University of New York, corresponding author) |
| Year | 2001 |
| Issue | 100 |
| Pages | 119 |
| Publication date | 2001-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Yale French Studies (BOOK_SERIES) |
| Journal identifiers | ISSN: 0044-0078 • E-ISSN: 2325-8691 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/3090584 |
| OpenAlex | W2343721843 |
| Language | EN |
| Citations received | 1 |
This essay adresses the relationship between "being/speaking Francophone" and forms of ethnic-cultural dissent in France and the U.S. In both countries, terms such as Francophone and Francophonie are often captured by specific political agendas and practicies. What it means to be "Francophone" involves complex interfacings between various langages, including English and French, between competing discursive claims made on the basis of linguistic home and the particular forms of cultural and linguistic hybridity, such as French hip-hop culture and world music
Archaeology · Art · Cartography · Depth sounding · French · Geography · Hop (telecommunications · Telecommunications · Canadian Identity and History · Caribbean and African Literature and Culture · Computer Science · History · Linguistic and Sociocultural Studies
| Citations per year | 0.06 |
|---|---|
| Citation span | 2008 - 2008 (1) |
| Highly cited | No |