Rekonstruktion des Ursprungs und Neudatierung zweier magischer Gemmen mit Hilfe einer Zauberzeichensequenz
Dados Bibliográficos
| ID | 10882157 |
|---|---|
| Autores | Kirsten Dzwiza (autor correspondente) |
| Ano | 2020 |
| Volume | 147 |
| Fascículo | 2 |
| Páginas | 153-163 |
| Data de publicação | 2020-11-01 |
| Peer Reviewed | Sim |
| Open Access | Não |
| Tipo | ARTICLE |
| Periódico | Zeitschrift für Ägyptische Sprache und Altertumskunde (JOURNAL) |
| Identificadores do periódico | ISSN: 0044-216X • E-ISSN: 2196-713X |
| Editora | Walter de Gruyter GmbH (PUBLISHER • DE) |
| DOI | 10.1515/zaes-2020-0033 |
| OpenAlex | W3103605637 |
| Idioma | DE |
| Referências citadas | 2 |
There are only a few sequences of ancient magic signs known to us today that have been preserved on multiple artefacts. A previously unnoticed sequence of 17 signs on a gem in the Museum of Fine Arts in Vienna occurs with minor but significant variations on two other gems in the State Museum of Egyptian Art in Munich. The Viennese gem is dated to the 16th century and is documented as a drawing in a 17th century publication. The first Munich gem has been assigned to the Graeco-Roman period. The second gem, which, according to the inventory card of the museum, also belongs to the Graeco-Roman period, is published here for the first time. A comparative study of the three gems and the drawing has lead to a number of new findings, including the re-dating of the Munich gems
Archaeology · Art · Humanities · Ancient Egypt and Archaeology · Ancient Mediterranean Archaeology and History · Historical, Religious, and Philosophical Studies · History
| Velocidade de citação | historical |
|---|---|
| Altamente citado | Não |